My scholarship sits at the intersection of theatre education, creative practice, and higher education, advancing equity-centered approaches to teacher preparation and institutional transformation.

My work explores:
My scholarship integrates qualitative research, arts-based inquiry, and performance to examine identity, power, and transformation across theatre education and higher education. I am particularly interested in how teacher preparation programs can function as sites of equity-driven institutional change.
My work bridges research and practice to advance justice-centered approaches to theatre education.


Kavanakudiyil, S. (2024). Bringing Personal Identity into our Learning Spaces. The Vermont Connection, 45(1). https://scholarworks.uvm.edu/tvc/vol45/iss1/14

Kavanakudiyil, Sobha. (2023). Drama in Education. Open Resource Manual. https://cuny.manifoldapp.org/projects/drama-in-education

Kavanakudiyil, Sobha. (2018). My Experience with Artists. Incite/Insight. 3(2018) pp 24-31. http://joom.ag/DJia/p24
Dissertation
My written scholarship centers identity, representation, and belonging within learning environments, contributing to broader conversations in theatre education and higher education research.
Selected Conference Presentations & Invited Talks
I regularly present research and creative scholarship at national and international conferences across theatre education and higher education.
Selected venues include:
My presentations include practice based workshkops, research, performance, and reflective frameworks to support equity-centered transformation in teacher preparation.
Beyond the Spotlight
Centering identity, voice, and power in theatre education through research and storytelling.
From Voice to Action
Applying the VOICE Framework to reimagine theatre education and institutional practice.
Creative Practice as Inquiry
Exploring storytelling and ethnodrama as research and pedagogy in higher education.

My research extends into performance as a mode of inquiry and dissemination. Through ethnodrama and applied theatre, I explore how embodied storytelling can illuminate lived experience and invite institutional reflection.
An ethnodrama drawn from my doctoral research, this work amplifies composite narratives of female-identifying performing artists navigating race, gender, and professional precarity in audition and training spaces.
The work functions as both artistic practice and research intervention, engaging audiences in dialogue around power, representation, and systemic change within theatre education.
In conference and educational settings, my performance-based scholarship invites audiences to move beyond abstract theory toward embodied engagement with justice-centered practice.

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Copyright © 2008 Sobha - All Rights Reserved.

I would love to speak with you about how we can work together.
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